On the night of July 29th, 1945, the USS Indianapolis, returning from a secret mission to deliver the Hiroshima atomic bomb, was torpedoed by a Japanese submarine and sunk within 12 minutes. Of the 1200 or so men on board, around 300 were killed immediately, 900 abandoned ship. Through a series of Navy communication snafus nobody knew that the Indianapolis was sunk or even missing. The surviving men were picked up four and half days later after a bomber flying overhead happened to notice the oil slick in the water and groups of men in the water. By the time they were rescued, only a little more than 300 of the original 900 had survived. The rest had succumbed to dehydration, delirium, injuries, and sharks. Sharks fed twice a day at dawn and dusk and picked off about 50 men a day.
In Harm’s Way: The Sinking of the USS Indianapolis and the Extraordinary Story of Its Survivors by Doug Stanton is a story of courage and despair, death and survival. Stanton spent a year researching and writing this book, interviewing USS Indianapolis survivors and recording their stories. The book is a fast and gripping read; I highly recommend it.
Links:
Interviews with USS Indianapolis survivors
I think the Wall St. Journal review says it best, “Eloquent….a writer of uncommon sensitivity and restraint.” Jhumpa Lahiri’s first book of fiction, a collection of short stories – Interpreter of Maladies has won numerous awards including a Pulitzer prize. For anyone who loves short stories, this is a must read. Lahiri’s stories are subtle, haunting, and beautifully written. From the Indian American couple recovering from still birth of their first child, to the epileptic girl who overcomes her patron’s rejection to create a life for herself, these stories’ characters are sensitively drawn, leaving them etched into our subconscious. What does become of the woman who guards the stairway of an apartment complex, only to be kicked out after she loses all of her life’s savings?
My mother handed me this book a week ago and insisted that I read it. Once I started I realized I had already read it a year or two before. But I drank up the stories again, happily indulging in the beautiful writing.
Jeffrey Eugenides’ Middlesex is an epic story, the family history of Calliope Stephanides, a young girl who discovers at age fourteen that she is actually a boy, a hermaphrodite. Tracing the recessive gene that gives Cal his ingrown gonads, the story starts with Cal’s Greek grandparents in Turkey, and courses through time to the present – their escape from the Turkish massacre in Smyrna in the early, their new life in Detroit, their son Milton and cousin’s daughter Tessie, and on to Calliope’s eventual discovery of himself.
From a purely historical perspective, Middlesex makes an interesting read. Eugenides colorfully paints the long gone or far away eras of Greek village life 80 years ago, the crossing of the Atlantic to Ellis Island, the struggles of young immigrants in a new land, working on the assembly line at the Ford factory, bootlegging operations over the Canadian border, the Detroit riots of the 60s, and the hippies of the early 70s.
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During China’s cultural revolution, two best friends, sons of prominent intellectual families, are shipped off to countryside to live and work as peasants. Their daily routine is hopeless, hard, dangerous, and dull until they secretly obtain a Chinese translation of a Balzac novel, filled with romance and adventure. They memorize the story and use it to impress and educate a pretty local village girl with whom they are both infatuated.
Dai Sijie’s novella, Balzac and the Little Chinese Seamstress, transports you to a remote village in China in the early 1970s where this little drama of love and hope is played out. You can almost touch it – the fields, the mountain cliffs, the opressing drugery, and the comical naiveté of villagers who become entranced with an alarm clock. It is lovingly written and translated from the original French. The author, Dai Sijie, was born in China, lived through the Cultural Revolution, and emigrated to France in 1984. At the conclusion of the book, the story all comes together; so if you wonder, “where is this going?” while you read it, as I did, don’t worry, it will all make sense. It’s not quite a novel, more like a long short story. A good read, I highly recommend it.
Seven or eight years ago I had the privilege of hosting Douglas Adams at my home in San Francisco for a brainstorming meeting on a game project (which eventually became Starship Titanic). I had heard of The Hitchhiker’s Guide to the Galaxy, aka H2G2, but hadn’t read it. What I had heard was that it was very funny – Monty Pythonesque humor applied to sci fi. Wanting to get a rise out of Douglas, I made him some tea and served it in a ceramic mug from Japan with a little ceramic frog hiding in the bottom of the cup. Douglas sipped his tea coolly, and when the frog emerged from the depths of the tea Douglas gave a little startled grunt, caught my eye and laughed, and continued to drink his tea. As I expected, unflappable.
Now years later, and three years after Douglas’ untimely passing, I am finally enjoying what brought Douglas his initial fame. The Hitchhiker’s Guide to the Galaxy is the first book in a five book trilogy in which our unsuspecting hero Arthur Dent narrowly escapes the Earth seconds before it is demolished to make way for an interstellar highway. Arthur escapes with his colleague Ford Prefect, who reveals to Arthur that he is actually from another planet and was working on a guidebook to the galaxy before getting stranded on Earth. Catching a lift with the cooking crew of the Vogon ship that destroyed Earth, Arthur and Ford are subjected to the torture of Vogon poetry before being ejected into space, only to be picked up by Zaphod Beeblebrox, the galaxy’s BMOC, with his Heart of Gold improbability spaceship.
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I was inspired to read The Rule of Four, the first novel of two recent college grads Ian Caldwell and Dustin Thomason, by a review from a bookseller’s website As Yet Unpublished. The Rule of Four is a fast-paced mystery that takes place on the campus of Princeton University. It revolves around an effort to decode a literary work from the Renaissance, the Hypnerotomachia, a real book around which there has been a lot of actual scholarly research. (See Introduction to Hypnerotomachia by MIT press.)
Like the other Renaissance code-breaking murder mystery, The DaVinci Code, to which it is often compared, The Rule of Four includes a couple of murders, a loyal team of sleuths, and plenty of historical references. The main differences are that The Rule of Four is actually much better written than The DaVinci Code, it is much more intellectually stimulating, and it doesn’t try to rewrite the history of the Catholic Church.
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